Blinded by Beauty

close up photo of woman with make up
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This morning, the girl at the McDonalds drive-thru handed me coffee without making eye contact. She wasn’t being rude. I don’t think she could see me. At some point between yesterday and today, she’d caved to the latest beauty fad, blinking from under an absurdly thick fringe of false eyelashes. She had to grope around for my hand as she passed me my change.

There’s a hard truth around every beauty fad; if you want the real thing, in this case, authentic Kardashian lashes, you have to spend a boatload of money. If you don’t have a lot of money, you have to try to make it happen on a thin paycheck.

I used to be that girl. My reach wasn’t for eyelashes, but blonde highlights. At sixteen years old, I noticed the Marcia Brady types in my school seemed happier. My part time job as a nurse’s aide was barely enough to pay for my car, let alone salon highlights. I bought a box of hair dye at the drugstore for three dollars. The girl on the box looked like Farah Fawcett. This was going to change my life.

But, like the girl at McDonald’s, I had mixed results. First of all, I made a mess of my mother’s new bath rug. That didn’t go over well. Two weeks later, my friend noticed a swatch of hair at the back of my head that had turned an alarming shade of granny apple green. Chlorinated pool water and blonde hair dye led to a chemical reaction on the back of my head. It wasn’t pretty. It wasn’t pretty at all.

So, yes. I feel an alliance with my friend at McDonald’s. If I was young enough for false eyelashes, I’d be just like her, making do with a cheap set bought at the five and dime. Then I’d go home and have to glue them on as best I could.

Being a girl doesn’t come cheap.

A full set of extension eyelashes applied by a certified eyelash technician (yes, there is such a thing) costs anywhere from 175 dollars to 400 dollars plus a tip. Monthly maintenance will run you 55-75 dollars a pop.

Eyelash extensions come in a variety of thicknesses, from lashes as thin as a pencil tip to something that looks like my 1970’s fringed jean shorts. They’re either applied in a strip or single tufts. Some false eyelashes are made of mink (yes, mink!) while others are made of human or synthetic hair.

The eyelash technician glues the extensions to the natural lash line, which takes 12-24 hours to fully cure. During that time you can’t get your eyes wet. No face washing. No swimming. And no watching that last scene in Pretty Woman when Richard Gere sweeps Julia Roberts off the balcony. If your boyfriend breaks up with you on the day you get your lashes done, let’s hope he wasn’t worth crying over.

Once your lashes are ‘cured’, you’ll be instructed to avoid rubbing your eyes. Super long lashes require a daily brushing with something called a ‘spoolie brush.’ At night, you’ll have to lie flat on your back like Sleeping Beauty. No side sleeping and no mashing your face into your pillow.

There are health risks, including the risk of losing your own eyelashes or the very real risk of eye infections like pink eye. Some adhesive products contain formaldehyde which, quite honestly, I didn’t research the effects, but can we agree it can’t be good to put formaldehyde near your eyes?

Every new beauty fad comes with an unspoken promise; do this, buy this, wear this, and you will be desirable. If only you do this, you’ll be pretty. If only you do this, your life will improve. If you do this: you’ll fit in.

It’s easy to blame this over-reaching on men and the culture of beauty around women. But, I don’t think men are to blame for this. I believe it’s all on us. Most men I know wouldn’t turn down a date with a woman because her lash length wasn’t up to his usual standards.

My oldest daughter was home for a visit from Montana. “You know,” she said, as she laced up her hiking boots, “I feel if women just stopped buying into it, we’d all be so much happier.”

So true. I don’t feel pressure from men to get a perfect pedicure. I feel pressure from women. If I want to be accepted into the Girls Club, I have to wear the right clothes, have the right hair, or turn my eyes into a Venus fly trap, never mind that I’m blinded in the process.

I know that even feminist types want to be accepted into the Girl’s Club. Don’t tell me they don’t. Successful executive women wear pencil skirts and high heels for a reason. They want others to notice their narrow waists and slender calves while they make important decisions on company policy. Even Gloria Steinem wore a fetching pair of strappy sandals while carrying a sign on a stick that said, “We Shall Overcome.” Puleeeeze.

A couple of weeks ago, I did the most informal survey of all time. I asked the men in my life to weigh in on the Kardashian eyelash craze.

This comment from my husband who just celebrated his sixtieth birthday. “They’re kind of distracting. Unnatural. I’m afraid they’ll poke their eyes out.”

And this from a 30-something year old guy. ” On some girls they look okay. I don’t really think about them.”

My litmus test for beauty these days is simple. Feeling good about myself shouldn’t hurt or come with risk of injury. Feeling good about myself should…well…feel good.

But this requires an awareness of why we buy in. As I get older, some of the women I know are getting work done; bottoms lifted, tummies tucked, lips plumped. That’s not a beauty fad; it’s an expectation in some circles.

But, that path is not for me. I don’t have enough self-restraint to start down that slippery slope. I won’t know when to stop. My eyes would search my body’s landscape for every little thing that needed improvement. Pretty soon, I’d have to re-mortgage the farm to pay for the upgrades.

Here’s my litmus test for beauty trends: I ask myself why I do it. Is it for me? Or is it for them? Who are they, anyway? Am I enjoying whatever it is I’m doing?

If we’re doing it for men, we should know that most men don’t judge women as harshly as we judge ourselves and each other. What a man appreciates, is a woman who likes herself, who takes care of herself, who laughs at his jokes, essentially, a woman who is confident in her own skin. Men can’t always put their finger on what it is that makes this one or that one stand out, but I bet you they never say…it was the eyelashes.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Booklist; books from the Writer’s Digest Conference in New York City 2019

I recently attended the Writer’s Digest Conference in New York City. The three keynote speakers perfectly complimented each other, although they write in very different genres. Here is a book sample of each writer. Check them out!

IMG_8010

IMG_8011   The Fifth Season is the first book in The Broken Earth trilogy. It won the Hugo Award for 2016 and the sequel, The Obelisk Gate, just took the 2017 Hugo Award.

IMG_8009   “The Last Widow. New York Times bestselling author Karin Slaughter brings back Will Trent and Sara Linton in this superb and timely thriller full of devious twists, disturbing secrets, and shocking surprises you won’t see coming.”

IMG_8008   National Book Award Finalist. A New York Times Book Review Top Ten of the Year. New York Times Notable Book of 2017. A USA Today Top Ten of 2017. July Pick for the PBS NEWSHOUR. Finalist for the 2018 Dayton Literary Peace Prize. Min Jin Lee is also an inspiring speaker. I loved her closing keynote speech.

A Light Bulb Moment

silhouette of two person standing during nighttime
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We’re lying in bed looking at the stars out the window. Dave shares a scene from an old movie he remembers;

“There’s this blind woman, played by Bette Davis,” he says. “A doctor performs an experimental surgery in hopes that it will restore her sight. Weeks later, alone in her high-rise apartment, she slowly unravels the bandages that have protected her eyes.”

“Wait,” I ask, “Where was the doctor?”

Dave sighs. “How do I know? Anyway, she’s peeling the bandages off layer by layer, painstakingly slow for dramatic effect.”

“Hmm.”

“When the last of the bandages falls away, she’s overcome with emotion. Outside her window, she sees all the lights of the city for the first time. There are people having dinner in apartment windows across the way, cars on the street below, it’s crazy. She’s seeing these things for the first time. And then-ka-boom! A huge power surge that knocks out electricity to the entire city. A total blackout.”

“Oh no.”

“Yeah. But, the thing is–she mistakes the blackout for the loss of her sight all over again. She thinks the surgery failed. She’s so devastated that she throws herself out the window.”

“What?!!!!”

“Yeah. Terrible, right?”

“Wait a minute.” My brain goes into overdrive. “That doesn’t add up.”

“Hmmm?”

“A total blackout.”

“It was a total blackout. What’s not to understand about that?”

“Even if the power went out, there would be some light. I mean no-one on the street had a cigarette lighter? No cars with headlamps? No stars in the sky?”

“Well…I…don’t know! Maybe it wasn’t quite like that. I can’t remember.”

“Bette Davis took the  lead? I’ll google it.” I type ‘Bette Davis plays a blind woman‘ into my I-phone.

“You know,” Dave says, staring at the ceiling, “now that I think about it, was it Bette Davis?”

I pause.

“In fact, maybe it wasn’t a movie after all. Could have been one of those Twilight Zone episodes or was it… Night Crawler. You know, I can’t seem to remember.”

Oh, brother.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Okay, so he’s an unreliable story-teller, but there are other things he’s good at; astronomy for instance. Artificial light, like the kind missing in that movie, is something he notices. And because I’m married to someone who loves the night sky, I notice it, too.

On a clear night, Dave spends most of his night outdoors, gazing through the lens of his telescope at distant planets and stars. When Dave was a kid, his father built a UFO detector, a black box that would sound an alarm if something suspicious zoomed across the night sky. Russel was a huge sci-fi fan and he was convinced, in a Ray Bradbury kind of way, that there was ‘something’ out there. Dave remembers lying on his back in a  web lounge chair, waiting for the UFO detector to go off.

UFO
I’m not an astronomer,  but I love to gaze at a clear night sky. I remember my dad pointing out the Milky Way when I was a kid, but today, 80 percent of the world’s kids can no longer see the Milky Way. Due to an invasion of artificial light, our night skies are thousands of times brighter than they were just 200 years ago.

With so many other things to worry about, light pollution might not seem all that important to you, but all those porch lights, stadium lights, electronic lights, and industry lights might be making you sick. Light pollution has been linked to diabetes, depression, obesity, infertility, and even breast cancer.

There’s a good reason for that; artificial light interferes with the human circadian rhythm, a natural 24- hour cycle of sleep and wakefulness that depends on natural light and near-total darkness. Artificial light interferes with the production of melatonin, a natural sleep inducer that boosts our immune system and plays an important role in the function of the thyroid, pancreas, ovaries, and testes.

Perhaps at no other time in human history have we had so much trouble falling and staying asleep. And that impacts human health.

Artificial light hurts animals and plants as well.

A 2017 study by the Cornell Lab of Ornithology showed that bright skies interfere with bird migration. Artificial light confuses birds like warblers and passerines, that traditionally use celestial light to navigate their way south.

On one night a year, New York City pays tribute to those lost in the September 11th terrorist attacks with two bright beacons of light. The Cornell scientists used the tribute to study the effects of bright artificial light on migrating birds. Researchers found that once the migrating birds were trapped in the beams of light, they circled in confusion until exhausted. Based on their data, the researchers persuaded memorial organizers to turn off the lights for 20 minutes or so  whenever 1000 or more birds were observed in the beams. Once the lights were turned off, the birds returned to their migratory path.

Artificial light interferes with other eco-systems as well. Amphibians like frogs and toads  sing after dark. These songs are an important part of a nightly breeding ritual. So, your garage or porch light actually lowers amphibian populations. Frogs and toads are an important food source for birds, snakes, and other animals, but perhaps even more important, they’re a natural form of insect control. Toads eat beetles of all kinds, including caterpillars, fly larvae, moths, and grubs. They’ll even eat slugs and snails that plague your garden.

On an emotional level, does the night sky still matter? I believe it does and so do astronomers. Looking at all those bright stars makes me feel humble. Small. My problems seem as tiny as a pencil dot. Sometimes that’s a relief.

Like so many of us today, I think of myself a lot. Why is my car making that rattling noise? Will my editor say yes to my new idea? Should I make tuna salad for lunch or egg salad? What is that lump behind my knee? My thoughts are a never ending river of Me-ness I careen around in.

Me, me, me, me, me.

But, when I look into a clear night sky full of winking stars and faraway planets, I feel humble, small, blissfully insignificant. I catch a break from…well…me.

The best thing about light pollution…drum roll please… is that it’s completely and utterly reversible. Baffling and shielding lights minimizes light pollution that contributes to urban skyglow. Switching to warmer-toned LED lights and compact warm fluorescent lighting can go a long way to improving your own sleep pattern. Blue light (that cold, white light none of us really like anyway) is the most impactful on human health and bird migration.

The following chart is courtesy of the Flagstaff Dark Skies Coalition. Consider using it the next time you purchase light bulbs; shoot for the lowest impact.  Color temperatures are listed on lightbulb packages.

LED-SG-Impacts

What else can you do? Simply turn your lights off at night.

Seriously. It’s that simple.

If you’re interested in learning more about the night sky, visit, Astronomers Without Borders and the Dark Skies Awareness page .

 

 

 

 

 

 

 

 

 

 

 

The Booklist; great books you might have missed.

I read somewhere that if you think you have a good story, put a dog in it. The dog will make it even better. I tend to agree. Here are three great books that aren’t necessarily about a dog, but have a dog (or two) in them.

IMG-7702 Edgar Sawtelle is one of those books that takes you into another world, that of a mute boy and a fascinating, over-sized dog. At 608 pages long, it’s a bit of a commitment, but I absolutely loved this book.

IMG-7705 I originally purchased this book because my daughter, Lisa Baril, is a wildlife biologist and science writer.  She lives and works in Yellowstone National Park and worked for Doug Smith. The researchers gave the  wolves numbers instead of names in the hopes they would not get too attached. Of course, that didn’t pan out. In Decade of the Wolf, you’ll read about a famous female wolf, Number 9. And yes, you’ll fall in love with her even if she doesn’t have a proper name.

IMG-7704 Definitely not a tear-jerker, of course, but very spooky and well worth the read. Read the book first and then pop a big bowl of popcorn and watch the 1939 Hollywood version, featuring Basil Rathbone as Sherlock Holmes.

an ordinary day with Grace Paley

black white and blue lounge chair on and white bird
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We all have heroes. If you don’t have one, find someone. Today.

I keep more than my fair share, so that on any given day, in any situation, I can look to my heroes for encouragement. For example, when I feel like giving up, I turn to Winston Churchill, who inspires me to “never, never, never give in” even when faced with really bad odds.

When I need writing encouragement, I turn to Grace Paley. She’s my literary hero. She shows me that even an ordinary life is worth writing about. Her work brims with characters who are so expertly crafted you’ll see them hanging laundry from a third-floor window in the Bronx. When I read her stories, I understand that even though I haven’t fought wars in the Crimea or been kidnapped by a band of renegades in Australia, my life is worth writing about, providing I have the guts to shine a light on it.

Many years ago now, I signed up for a writing workshop taught by Grace Paley at the Fine Arts Work Center in Provincetown, Massachusetts. I saved for months for this workshop, which was well out of my working-writer’s budget. I remember walking down Commercial Street to get to the Fine Arts Center; a grey dawn breaking, early morning fog weaving in and out of the shops. The merchants swept sand into the street and set chairs at sidewalk tables for the early breakfast crowd. I hugged my new journal to my chest.

At the Fine Arts Work Center, I signed in at an outdoor table and the girl pointed to a steep exterior staircase that led to a second floor conference room with windows that overlooked the sea. This is where we gathered, a handful of writers, waiting for Grace Paley to arrive, with the sea lapping like a dog outside the window. We smiled, coughed a little, introduced ourselves. You could see we all felt a bit shy, even the long, cool writers with their legs stretched out, some of whom had published work in literary presses.

Every once in awhile one of us looked towards the stairs. Voices down below. Was it Grace Paley? yes, it must be. We could hear her chatting with the girl at the table.

Then a slow, steady tread on the stairs. It seemed to go on forever until we caught a glimpse of grey hair, round shoulders, a baggy sweater. Her face was broad and round and friendly, her eyes deeply set in shadow. Her hair was kind of flowzy, caught in the sea breeze and it blew every which way, except across her face. She smiled at us and said, “Well! If that isn’t a flight of stairs all right! Give me a minute to catch my breath.”

Grace Paley.

She’s considered one of the best short story writers of her time. Among many other accolades, she won the 1961 Guggenheim Fellowship for Fiction, the PEN/Malamud Award for Excellence in Short Fiction, and the American Award for Achievement in American Literature. Her 1994 Collected Stories was a finalist for the Pulitzer Prize and the National Book Award.

I don’t remember knowing all that then. I just loved her stories. If you are not familiar with her work, here is an excerpt from one of her stories. It’s about a husband leaving his wife.

An Interest in Life
By Grace Paley

My husband gave me a broom one Christmas. This wasn’t right. No-one can tell me it was meant kindly.

“I don’t want you not to have anything for Christmas while I’m away in the army,” he said. “Virginia, please look at it. It comes with this fancy dustpan. It hangs off a stick. Look at it, will you? Are you blind or cross-eyed?”

“Thanks, chum,” I said. I had always wanted a dustpan hooked up that way. It was a good one. My husband doesn’t shop in bargain basements or January sales.

Still and all, in spite of the quality, it was a mean present to give a woman you planned on never seeing again, a person you had children with and got onto all the time, drunk or sober, even when everybody had to get up early in the morning. 

I asked him if he could wait and join the army in a half hour, as I had to get the groceries. I don’t like to leave kids alone in a three-room apartment full of gas and electricity. Fire may break out from a nasty remark. Or the oldest tries to get even with the youngest.

“Just this once,” he said. “But you better try to figure out how to get along without me.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Grace taught so well, which is rare for a great writer. Very good writers often make terrible teachers. I confess I don’t remember what she said or worse yet, what I said. I tried hard to listen, but I was star struck. I wanted Grace Paley to think I was the best emerging writer she’d ever met. As if Grace Paley was a talent scout.

She gave us a writing prompt and we bent our heads over our papers, but my hand froze. I couldn’t write a single intelligible sentence. I felt like a cardboard cutout of a person. They could tack me to the wall and it would make no difference to me or the other writers. Here was Grace Paley trying her best to teach me something and I was too breathless to take it all in. What would she think?

When it came my time to read, I was so disappointed in what I wrote, the writer’s version of tongue-tied, but I read it anyway. Blah. Blah. Blah. Grade-school composition stuff.

Oh! how I’d love to say that she was blown away by my prose. If only she had said, where have you been?! You don’t even know how good you are! But, that wasn’t the way. She made a few very, very kind comments and then it was time to break for lunch. We talked about where to eat. Grace raved about a codfish sandwich she’d had the day before at one of the outdoor cafes. Delicious! We all filed out.

That afternoon, as I listened to the other writers read their work I felt warmed, sustained in the white hot light of the summer sun over Provincetown. If you haven’t been to P-town you should go. Colors are brighter there; reds more red, blues more blue, the yellowest yellow you’ve ever seen. We sat in a room overlooking the sea with Grace Paley, surrounded by dunes and an incoming tide, and it was all so good. Even if I was suffering from a severe case of writer’s block, it was a fine thing to have met her.

It was the most extraordinary kind of ordinary day.

Find yourself a hero that leaves you breathless. It will do you the world of good.

(Please feel free to share your heroes in the comments section. I’d love to hear about them.)

 

 

Song Dog

 

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My neighbor, age sixty-something, has waged a war on our local coyote pack. Very early in the morning I hear his shotgun. The noise is startling, territorial. I imagine my small herd of horses dispersing like stars, the coyote lying motionless on the hill.

Later in the day, I meet my neighbor in the clearing between our properties. I ask if he fired the shots.

He smiles, “Yeah, I finally got that coyote I’ve been after. He goes after the rabbits and, anyway,” he adds, “he didn’t look too healthy. I think he had the mange.”

I don’t mind the hunting. I understand the primal thrill of hunting, a deer in the sights, filling a freezer for the winter and providing for a family. A successful hunt makes us feel we belong in the wild, that we’re not outsiders after all.

Ten years ago, we moved to the northwest hills of Connecticut. Our new house lay in the direct path of a nightly coyote run. We’d wake, pre-dawn, to the pack racing past our bedroom window, howling and yipping as they raced off to what our neighbors nicknamed, Coyote Ridge.

The barking and howling was electrifying, like no domestic dog sound I’ve ever known. We kept our Border Collie under close watch.

The coyote scares me, but I consider him my spirit animal, if such a thing exists.

As a kid I could pass for a coyote; the pointed nose, the tawny coat. One year I insisted on prowling around the house on all fours, inhabiting the coyote body or letting the coyote inhabit me. That year I snubbed vegetables, but chomped on any bone put in front of me. I’d tear at the meat with my canines and suck the marrow out of pork chops. And not just my pork chops. The rest of the family’s as well. When it was time to clear the table, a heap of bones on my plate.

My father, alarmed. Table manners were important to him.

“At least she’s eating,” my mother said.

That was the year I practiced howling while sitting cross-legged on my bed, but I found I really needed to be on all fours to get in a good howl. I needed to throw my chin up, press my ears flat back.

The coyote is known as the Song Dog. He boasts at least eleven documented vocalizations, the highest number of vocalizations of any wild North American mammal. The lone howl, perhaps the one we associate most with the coyote and the wolf, is believed to be territorial. The translation; ‘this is my hill’.

Even though, Connecticut is mostly urbanized, the eastern coyote thrives here, preying on grasshoppers, small rodents like voles and rabbits, deer, and sometimes, on small livestock like goats and sheep. Coyotes prey on house cats and they’ll attack and kill even large domestic dogs, though they rarely eat them. Their quarrel with dogs is almost always over territory. Attacks on humans are rare, but they have occurred and with terrible consequences.

The eastern coyote, is larger than his western cousin, about the size of a German Shepherd dog. He can live practically anywhere, making cozy dens out of downed trees, culverts, under suburban decks, in drainage ditches, and concrete sewer pipes. Although he’s wild, he adapts to rapid changes in his environment with incredible speed. He’s equally at home in the forest or on the streets of New York City.

Last year, a lone coyote loped through a coffee shop in New Haven, not far from the Yale University campus, startling patrons and easily evading wildlife control officers. The coyote is a testament to adaptability; consider that he thrives in all of these places without manipulating his environment in any way at all.

And that’s what rubs my neighbor, and others like him, the wrong way. I mean, it seems like there must be some sort of trickery going on.

A google search finds several groups here in Connecticut dedicated exclusively to coyote hunting. They say the pelts fetch anywhere from thirty to fifty-five dollars. Some hunters eat the coyotes they catch and share recipes for Cajun coyote and coyote stew, both of which get high marks.

But, there’s more to coyote hunting than making a meal out of him. Many of the hunters and trappers take a photo of the dead coyote and then leave his body in the forest. And unlike deer or elk hunters who tend to have a deep appreciation for the animal they hunt, coyote hunters freely admit loathing for their target.

On one forum, a discussion as to why:

“They prey on wildlife.”

“They kill dogs.”

“They’re a nuisance. I can’t stand them.”

“Their populations need controlling.”

Hunting isn’t an effective tool for population control. In some areas where seventy percent of a group were culled, the coyotes increased their numbers in just a few short years. Females simply became fertile at younger ages and gave birth to larger litters.

Here, in Connecticut, their range expands year after year.

Last spring, while trail running in the forest, I came eye to eye with a female coyote. She was loping up one side of a ridge and I was loping up the other. We met at the top. I don’t know which of us was more surprised, but she was definitely more at ease with our encounter.

This was her territory. Not mine.

I looked into her yellow eyes, glass-like, expressionless. Scary as hell.

Then she faded back into the forest, leaving me with the thrill of the encounter and nothing more.

Yesterday, I walked the field again that separates my neighbor’s property and mine. A herd of deer startled and bounded away, thin legs like birch twigs, white tails flashing. I thought at first it was my sudden presence that startled them, but on the edge of the forest I see the familiar triangular shaped face, the yellow eyes, the shadow of the Song Dog.

(This essay originally appeared in Writing the Wild in slightly different form.)

The Art of Rage

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One of our Connecticut Authors and Publishers Association members attended a first annual literary event held recently in Hartford. Eileen Albrizio is a former ABC and NPR news host and journalist. She is the author of several books, including, The Windsome Tree, Messy on the Inside, Perennials; New & Selected Poems, and The Box Under the Bed. In short, she’s no amateur. She hoped to promote her books and meet some of her readers.

Instead, she was met with anger. And rage. The literary event was more of a poetry slam. A poetry slam is a contest in which poets perform spoken word poetry. The idea was conceived in Chicago in 1984 and was seen as a way to bring poetry back to the mainstream. Poetry can feel inaccessible and poetry slams help make poetry feel accessible.

Eileen put a bowl of candy on the table with her books. One ‘artist’ scooped up a handful of candy and said, “I’ll eat your candy, but I won’t buy your book.” She found that rude and rightfully so.

Eileen is careful to point out that she felt the artists’ rage was not directed towards  her and that the motivation was real, even if the execution was offensive and a little scary. She left disheartened.

Art can be employed to promote change, start revolutions, or just make you say….huh…I never thought of that situation in quite that way. Art has been shining the light on our human experience since prehistoric man first painted images of the hunt on cave walls.

What art should never be is rage itself. Rage is not an art form. Rage may show itself in the art form, but it is not the art form.

Story, freedom of speech, transformation through words; that’s an art form. Rage is just rage. Some think of rage as a badge of honor, an exclusive badge to an exclusive club. Scientists will tell you that rage is an aphrodisiac as powerful as love or lust. It’s addicting as meth.

But, it is not art. It is rage.

And it’s important to note the difference. Because if art is not rage, then it is something else. And that something else is the purpose, the thing that needs to change or be exposed,  whether it’s racial equality, LGBT rights, or women’s issues. This way, when we get what we want, the rage we suffer can slip naturally away. But, if it’s just rage for rage’s sake, well…what then?

I finish with a poem by Langston Hughes. I love Langston Hughes because he was a great poet. I love him because he helps me see the human experience first, rage second. I don’t know if Langston Hughes felt rage. My guess is he did from time to time, but his motivation was grander. And, in the end, that is what makes art.

I Too, Sing America by Langston Hughes
I, too, sing America.

I am the darker brother.
They send me to eat in the kitchen
When company comes,
But I laugh,
And eat well,
And grow strong.

Tomorrow,
I’ll be at the table
When company comes.
Nobody’ll dare
Say to me,
“Eat in the kitchen,”
Then.

Besides,
They’ll see how beautiful I am
And be ashamed–

I, too, am America.